正片
小迪克西
影片信息
- 拼音：xiaodikexi
- 狀態(tài)：HD中字
- 主演：埃里克·迪恩/弗蘭克·格里羅/安娜貝絲·吉什/博·納普/梅賽德絲·馬索霍/托馬斯·戴克/莫里斯·孔特/George Ruric/蘇芙·布萊德肖/索菲亞·布萊恩特/比利·布萊爾/小路易斯·達(dá)·席爾瓦/LaTeace Towns-Cuellar/Danny Boy O'Connor/Dash Melrose/阿爾貝托·澤尼/米可·麥克斯林/Brett Swab/
- 導(dǎo)演：約翰·斯瓦布/
- 年份：2023
- 地區(qū)：美國(guó)
- 類(lèi)型：劇情/動(dòng)作/驚悚/犯罪/
- 時(shí)長(zhǎng)：內(nèi)詳
- 上映：2023-01-26
- 語(yǔ)言：英語(yǔ)
- 更新：2025-03-03 18:56
- 簡(jiǎn)介： Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.
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劇情簡(jiǎn)介
Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.
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