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電影安妮的臉
正片

安妮的臉

無處不在的安娜 / Anne的多重恐懼(臺) / Faces of Anne

影片信息

正片
  • 片名:安妮的臉
  • 拼音:annidelian
  • 狀態(tài):HD中字
  • 主演:蘇卡達(dá)·顧瓏希/茱蒂蒙·瓊查容蘇因/莎婉雅·派莎恩帕雅/瓦倫托恩·帕奧尼爾/瓦爾蕾特·瓦帖兒/雅拉查芃·普金帕可/
  • 導(dǎo)演:Kongdej Jaturanrasmee/Rasiket Sukkan/
  • 年份:2022
  • 地區(qū):泰國
  • 類型:驚悚/恐怖/
  • 時(shí)長:內(nèi)詳
  • 上映:2022-10-13
  • 語言:其它
  • 更新:2025-03-03 18:48
  • 簡介:  You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.  Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
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劇情簡介

  You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.  Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.

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